The series emerges from in depth research on obsolete techniques used mainly by master potters and recently recuperated by the ceramic district of Nove (VI).
The extruded ceramic has, in fact, allowed for the marriage of an almost mechanical aesthetic with rough surfaces and warm materials such as raw earth, allowing for a slight variability which makes each piece unique. The bare ceramic appears rich and silken and the characteristic striations highlight this particular method of production.
Produced by Something Good, 2014
Photo by Barbara Fabris
The series emerges from in depth research on obsolete techniques used mainly by master potters and recently recuperated by the ceramic district of Nove (VI).
The extruded ceramic has, in fact, allowed for the marriage of an almost mechanical aesthetic with rough surfaces and warm materials such as raw earth, allowing for a slight variability which makes each piece unique. The bare ceramic appears rich and silken and the characteristic striations highlight this particular method of production.
Produced by Something Good, 2014
Photo by Barbara Fabris
